The technique for getting lots of depth and dimension in your projects is to colour in layers. When we colour, we're actually attempting to make a flat, two dimensional object appear as if it has three dimensions by adding highlights and shadows. Simply speaking, dark colours recede and light colours advance... this is the push and pull of colour.
I started by printing the five candles in a light grey ink, which will blend in as I apply colour. I've base coated my candle in the lightest blue I'm using for this project. Don't apply too much pressure to the pencil or you'll end up burnishing your project, which will prevent any further colour application. (NOTE: A burnished surface will be shiny and won't successfully take further colour)
With the same pencil I'm adding a little more pigment to the right and left sides of the image. As I work toward the middle of the candle, I reduce the pressure until my pencil is barely touching the surface of the paper. This is how you achieve the variation of colour intensity.
Do the same again at the top and bottom of the section you're colouring. The centre should be light where you've gently feathered the colour out. This will form a high point on the surface of the candle that will appear to come forward. We are starting to give the image some shape.
Repeat those steps in each section of the candle using the same pencil. Remember not to apply too much pressure as we still have lots more colour to add.
Using a darker tone, gently apply colour in the crease between each section of the candle. Start on the line and gently reduce pressure as you move up toward the centre, then go back to the line and gently work down. This is a very narrow area we're colouring, you don't want to completely cover the first layer of blue. Allow the darker shade to curve upward at the edges of the image, following the lines.
Repeat for each section of the candle, including the very bottom where you will only work upward.
Now we're introducing a grey. This will tone and darken the shadow areas where there is less light, tricking the eye into believing those areas recede.
By darkening the lines of the image, our eyes tell us that there are creases along the length of the candle.
Repeat along all the centre lines, remembering to gently reduce the pressure as you colour away from the line. Apart from on the boundary of the image, none of your colouring should have very defined, straight edges.
Add a little black pencil to the candle wick, applying less pressure in the area where it meets the flame.
Colour the flame with a mid yellow, remembering not to apply to much pressure to the pencil.
Using your lightest yellow, apply colour at the bottom of the flame and gently reduce pressure as you work your way upward.
Now use a darker yellow, or a light orange, at the top of the flame and gently work your way down. The colours should blend nicely, but each should still be visible.
Apply the darkest orange to the very tip of the flame, blending it with the dark yellow.
Use your mid yellow to add a glow around the flame. Start colouring up against the flame and work your way outward in a circle, reducing pressure on the pencil as you colour until you're applying the lightest pressure possible.
Use the darker yellow to add some highlights on the candle itself. Again, make sure you gently release the pressure as you colour so you don't end up with sharp lines.
I used a white pencil to add some dots to my candle. If you want to add decoration, remember to continue it around the side of the object with some parts hidden from view. As you can see, I've added some half circles at the edges of the candle. This strengthens the illusion that the candle is rounded rather than flat.
You might have heard the term "anchoring the image". This basically means creating a relationship between the item you're colouring and the space around it. Without an "anchor" our object is simply floating around without an obvious up or down. We need to give it a place to exist, and the easiest way to do that is to add a little shadow underneath, which I did with a dark grey pencil. Now our candle is complete.
Time to repeat the process for each of the other candles. Start with a basecoat and darken the edges of each section with the same pencil...
... add a darker shade in each crease to help shape the image...
... add some shadow areas to deepen the creases in the candle...
... colour the flame and the glow, remembering to gently release the pressure on the pencil...
... add some decoration...
... anchor the image in space.
Now repeat the technique for each of the remaining candles and you have a completely coloured image.
Stamps:
8 comments:
You make your tutorials look so easy this is lovely x
Wonderful indeedy Beccy..no colouring here at mo but certainly loved this progession.. I'd never thought of adding spots or stripe in white but they really wirked well. You're so right re colour coverage with Prismas esp.. they're so different to regular pencils with their wax base.
Thanks for sharing.. pray you all keep well! Prayer hugs, Shaz in Oz. X
{Wonderful Words of Life - Shaz in Oz}
{Calligraphy Cards - Shaz in Oz}
Beccy, thank you for the fabulous, step-by-step photo tutorial! Your candles look beautiful and full of dimension! xx
Gorgeous, you are so talented, thank you for sharing, hugs, Lori m
I'll have to keep this tip when apply colors to an image......TFS
OH! My goodness what a fabulous result. Thanks for showing how.
Take care
Faith x
How neat! Thank you for the tutorial.
What a great tutorial!!!
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